In literature, expressionism is often considered a revolt against realism and naturalism, seeking to achieve a psychological or spiritual reality rather than record external events in logical sequence. In the novel, the term is closely allied to the writing of Franz Kafka and James Joyce (see stream of consciousness). In the drama, Strindberg is considered the forefather of the expressionists, though the term is specifically applied to a group of early 20th-century German dramatists, including Kaiser, Toller, and Wedekind. Their work was often characterized by a bizarre distortion of reality. Playwrights not closely associated with the expressionists occasionally wrote expressionist drama, e.g., Karel Čapek's R.U.R. (1921) and Eugene O'Neill's The Emperor Jones (1921). The movement, though short-lived, gave impetus to a free form of writing and of production in modern theater.
See E. Krispyn, Style and Society in German Literary Expressionism (1964); P. Vogt et al., Expressionism: A German Intuition, 1905–1920 (1980); P. Rabbe, ed., The Era of German Expresionism (tr. 1986); J. Weinstein, The End of Expressionism (1989).
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