Architectural sculpture was on a par with the unprecedented grandeur and ostentation achieved in painted screens of the Momoyama period (1568–1615). At this time constant warfare created a need for many great fortresses. Their interiors were lavishly decorated with screens painted in strong, thick colors against a gold background. The Kano family of artists succeeded in fusing the technique of Chinese ink painting with the decorative quality of Japanese art.
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.