montage (mŏntäzhˈ, Fr. môNtäzhˈ) [key], the art and technique of motion-picture editing in which contrasting shots or sequences are used to effect emotional or intellectual responses. It was developed creatively after 1925 by the Russian Sergei Eisenstein; since that time montage has become an increasingly complex and inventive way of extending the imaginative possibilities of film art. In still photography a composite picture, made by combining several prints, or parts of prints, and then rephotographing them as a whole, is often called a montage or a photomontage.
See M. Teitelbaum, Montage and Modern Life, 1919–1942 (1992).
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