Max Klinger

Klinger, Max (mäks klĭngˈər) [key], 1857–1920, German painter, sculptor, and etcher. Before 1886 he produced cycles of original and somewhat morbidly imaginative etchings, such as Deliverances of Sacrificial Victims Told in Ovid and Brahms-Phantasie. From 1886 to 1894 Klinger devoted himself primarily to painting, usually on a grandiose scale. Among his paintings are Judgment of Paris and Christ on Olympus (both: Vienna). After 1894 he worked predominantly in sculpture, his most successful medium. Notable examples are Salome, Cassandra, and the dramatic polychromed statue of Beethoven (all: Leipzig) and the bust of Nietzsche (Weimar).

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