Filippino Lippi, c.1457–1504, son of Fra Filippo and Lucrezia Buti, was placed after his father's death with Fra Diamante and later studied under Botticelli. He soon became an accomplished painter, revealing the same mastery of color and line as his father, and in 1480 was entrusted with the completion of Masaccio's frescoes in the Brancacci Chapel, Florence. He completed Masaccio's Raising of the Dead Youth and painted Peter and Paul before Nero, Paul's Interview with Peter in Prison, Liberation of St. Peter, and Crucifixion of St. Peter, adapting his style to that of Masaccio. His early works include the charming altarpiece, Vision of St. Bernard (Badia, Florence); the great altarpiece in the Nerli Chapel, Santo Spirito, Florence; and Madonna Enthroned (Uffizi).
In 1488 he went to Rome, where he painted a series of impressive frescoes in the Church of Santa Maria sopra Minerva. Returning to Florence, he executed many paintings, including the frescoes in Santa Trinita and the panel Adoration of the Magi (Uffizi). In his last years he created the dramatic frescoes of the lives of St. John and St. Philip for the Strozzi Chapel in Santa Maria Novella, Florence. Greatly influenced by Botticelli, Filippino echoed his graceful expression and refinement of line. Examples of his art are in the National Gallery of Art, Washington, D.C.; the Metropolitan Museum; and the Cleveland Museum of Art.