Peter Paul Rubens
Later Life and Mature Work
In 1608, after the death of his mother, Rubens returned to Antwerp, where within five years he became known as the greatest painter of his country. Much sought after as a teacher, Rubens set up an elaborate studio. He married Isabella Brant and prospered; he was deluged with commissions, especially for church decorations and altarpieces of large dimensions. To complete them Rubens organized an enormous workshop of skilled apprentices and associates, among whom were Van Dyck and Jordaens. Raising of the Cross and Descent from the Cross (1610 and 1611; cathedral, Antwerp) date from this time and are works with which Rubens already rivaled the grandiose creations of Italian art that had dominated the imagination of Northern artists for almost a century.
From 1622 to 1625 the artist executed numerous commissions for the French court, including an imposing series of large allegorical paintings of the life of Marie de' Medici for the Luxembourg Palace that are now in the Louvre. Although his assistants did much of the work on them, it was Rubens who designed them and added the finishing touches. In this way his workshop produced numerous monumental works (e.g., The Assumption, cathedral, Antwerp).
In 1626, after the death of his wife, he entered the diplomatic service, for which his pleasing personality, knowledge of languages, and acquaintance with royalty fitted him well. In 1628 he went to Spain on a mission for England, and during his nine months in Madrid he became acquainted with Velázquez and painted the royal family. Thereafter in London, he was idolized and knighted for his peacemaking efforts. While in England he painted the Allegory of War and Peace (National Gall., London).
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