| Record of the Year | “The Girl From Ipanema,” Stan Getz and Astrud Gilberto |
| Album of the Year | Getz/Gilberto, Stan Getz and Joao Gilberto (Verve) |
| Song of the Year | “Hello, Dolly!,” Jerry Herman, songwriter |
 The Beatles Archive Photos |
Best New Artist of 1964 | The Beatles |
| Most Promising New Recording Artist | Marilyn Horne |
| Best Vocal Performance, Male | “Hello, Dolly!,” Louis Armstrong |
| Best Vocal Performance, Female | “People,” Barbra Streisand |
| Best Performance By a Vocal Group | A Hard Day's Night, The Beatles |
| Best Performance By a Chorus | The Swingle Singers Going Baroque, Swingle Singers |
| Best Rock and Roll Recording | “Downtown,” Petula Clark (Warner Bros.) |
| Best Rhythm and Blues Recording | “How Glad I Am,” Nancy Wilson (Capitol) |
| Best Instrumental Jazz Performance, Small Group or Soloist With Small Group | Getz/Gilberto, Stan Getz |
| Best Instrumental Jazz Performance, Large Group or Soloist With Large Group | Guitar From Ipanema, Laurindo Almeida |
| Best Original Jazz Composition | “The Cat,” Lalo Schifrin, composer |
| Best Country and Western Single | “Dang Me,” Roger Miller |
| Best Country and Western Album | Dang Me/Chug-a-Lug, Roger Miller (Smash) |
| Best Country and Western Song | “Dang Me,” Roger Miller, songwriter |
| Best Country and Western Vocal Performance, Male | “Dang Me,” Roger Miller |
| Best Country and Western Vocal Performance, Female | “Here Comes My Baby,” Dottie West |
| Best New Country and Western Artist of 1964 | Roger Miller |
| Best Gospel or Other Religious Recording (Musical) | Great Gospel Songs, Tennessee Ernie Ford (Capitol) |
| Best Folk Recording | We'll Sing in the Sunshine, Gale Garnett (RCA) |
| Best Instrumental Arrangement | “The Pink Panther Theme,” Henry Mancini, arranger |
| Best Accompaniment Arrangement for Vocalist(s) or Instrumentalist(s) | “People,” Peter Matz, arranger |
| Best Instrumental Composition (Other Than Jazz) | “The Pink Panther Theme,” Henry Mancini, composer |
| Best Instrumental Performance, Non-Jazz | “The Pink Panther Theme,” Henry Mancini |
| Best Score From an Original Cast Show Album | Funny Girl, Jule Styne and Bob Merrill, composers (Capitol) |
| Best Original Score Written for a Motion Picture or Television Show | Mary Poppins, Richard M. Sherman and Robert B. Sherman, composers |
| Album of the Year, Classical | Bernstein, Symphony No. 3 (“Kaddish”), Leonard Bernstein conducting New York Philharmonic Orchestra (Columbia) |
| Best Classical Performance, Orchestra | Mahler, Symphony No. 5 in C-Sharp Minor; Berg, “Wozzeck” Excerpts, Erich Leinsdorf conducting Boston Symphony |
| Best Chamber Performance, Instrumental | Beethoven, Trio No. 1 in E-Flat, Op. 1, No. 1, Jascha Heifetz and Gregor Piatigorsky; Jacob Lateiner, pianist |
| Best Chamber Music Performance, Vocal | It Was a Lover and His Lass, Morley, Byrd and others; Noah Greenberg conducting New York Pro Musica |
| Best Classical Performance, Instrumental Soloist(s) (With Orchestra) | Prokofiev, Concerto No. 1 in D Major for Violin, Isaac Stern; Eugene Ormandy conducting Philadelphia Orchestra |
| Best Performance, Instrumental Soloist (Without Orchestra) | Vladimir Horowitz Plays Beethoven, Debussy, Chopin (Beethoven, Sonata No. 8 “Pathetique; ” Debussy, Preludes; Chopin, Etudes and Scherzos 1–4), Vladimir Horowitz |
| Best Opera Recording | Bizet, Carmen, Herbert von Karajan conducting Vienna Philharmonic Orchestra and Chorus; solos: Price, Corelli, Merrill and Freni (RCA) |
| Best Classical Choral Performance (Other Than Opera) | Britten, A Ceremony of Carols, Robert Shaw conducting Robert Shaw Chorale |
| Best Classical Vocal Soloist Performance (With or Without Orchestra) | Berlioz, Nuits d'Ete Falla: El Amor Brujo, Leontyne Price; Fritz Reiner conducting Chicago Symphony |
| Best Classical Composition By a Contemporary Composer | Samuel Barber, Concerto |
| Best Comedy Performance | I Started Out as a Child, Bill Cosby |
| Best Documentary, Spoken Word or Drama Recording (Other Than Comedy) | BBC Tribute to John F. Kennedy, That Was the Week That Was, cast (Decca) |
| Best Recording for Children | Mary Poppins, Julie Andrews and Dick Van Dyke (Buena Vista) |
| Best Album Cover | People, Robert Cato, art director; Don Bronstein, photographer (Columbia) |
| Best Album Cover, Classical | Saint-Saëns, Carnival of the Animals; Britten, Young Person's Guide to the Orchestra, Robert Jones, art director; Jan Balet, graphic artist (RCA) |
| Best Album Notes | Mexico (Legacy Collection), Stanton Catlin and Carleton Beals, annotators (Columbia) |
Fact Monster/Information Please® Database, © 2007 Pearson Education, Inc. All rights reserved.
