After the torchlight red on sweaty faces After the frosty silence in the gardens After the agony in stony places The shouting and the crying Prison and palace and reverberation Of thunder of spring over distant mountains He who was living is now dead We who were living are now dying With a little patience
Here is no water but only rock Rock and no water and the sandy road The road winding above among the mountains Which are mountains of rock without water If there were water we should stop and drink Amongst the rock one cannot stop or think Sweat is dry and feet are in the sand If there were only water amongst the rock Dead mountain mouth of carious teeth that cannot spit Here one can neither stand nor lie nor sit There is not even silence in the mountains But dry sterile thunder without rain There is not even solitude in the mountains But red sullen faces sneer and snarl From doors of mudcracked houses If there were water And no rock If there were rock And also water And water A spring A pool among the rock If there were the sound of water only Not the cicada And dry grass singing But sound of water over a rock Where the hermit-thrush sings in the pine trees Drip drop drip drop drop drop drop But there is no water
Who is the third who walks always beside you? When I count, there are only you and I together But when I look ahead up the white road There is always another one walking beside you Gliding wrapt in a brown mantle, hooded I do not know whether a man or a woman —But who is that on the other side of you?
What is that sound high in the air Murmur of maternal lamentation Who are those hooded hordes swarming Over endless plains, stumbling in cracked earth Ringed by the flat horizon only What is the city over the mountains Cracks and reforms and bursts in the violet air Falling towers Jerusalem Athens Alexandria Vienna London Unreal
A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.
In this decayed hole among the mountains In the faint moonlight, the grass is singing Over the tumbled graves, about the chapel There is the empty chapel, only the wind's home. It has no windows, and the door swings, Dry bones can harm no one. Only a cock stood on the rooftree Co co rico co co rico In a flash of lightning. Then a damp gust Bringing rain
Ganga was sunken, and the limp leaves Waited for rain, while the black clouds Gathered far distant, over Himavant. The jungle crouched, humped in silence. Then spoke the thunder DA Datta: what have we given? My friend, blood shaking my heart The awful daring of a moment's surrender Which an age of prudence can never retract By this, and this only, we have existed Which is not to be found in our obituaries Or in memories draped by the beneficent spider Or under seals broken by the lean solicitor In our empty rooms DA Dayadhvam: I have heard the key Turn in the door once and turn once only We think of the key, each in his prison Thinking of the key, each confirms a prison Only at nightfall, aetherial rumours Revive for a moment a broken Coriolanus DA Damyata: The boat responded Gaily, to the hand expert with sail and oar The sea was calm, your heart would have responded Gaily, when invited, beating obedient To controlling hands
I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s'ascose nel foco che gli affina Quando fiam ceu chelidon - O swallow swallow Le Prince d'Aquitaine a la tour abolie These fragments I have shored against my ruins Why then Ile fit you. Hieronymo's mad againe. Datta. Dayadhvam. Damyata. Shantih shantih shantih
 In the first part of Part V three themes are employed: the journey to Emmaus, the approach to the Chapel Perilous (see Miss Weston's book) and the present decay of eastern Europe.
 This is Turdus aonalaschkae pallasii, the hermit-thrush which I have heard in Quebec County. Chapman says (Handbook of Birds of Eastern North America) "it is most at home in secluded woodland and thickety retreats…. Its notes are not remarkable for variety or volume, but in purity and sweetness of tone and exquisite modulation they are unequalled." Its "water-dripping song" is justly celebrated.
 The following lines were stimulated by the account of one of the Antarctic expeditions (I forget which, but I think one of Shackleton's): it was related that the party of explorers, at the extremity of their strength, had the constant delusion that there was one more member than could actually be counted.
 Cf. Hermann Hesse, Blick ins Chaos:
Schon ist halb Europa, schon ist zumindest der halbe Osten Europas auf dem Wege zum Chaos, fährt betrunken im heiligem Wahn am Abgrund entlang und singt dazu, singt betrunken und hymnisch wie Dmitri Karamasoff sang. Ueber diese Lieder lacht der Bürger beleidigt, der Heilige und Seher hört sie mit Tränen.
[Already half of Europe, already at least half of Eastern Europe, on the way to Chaos, drives drunk in sacred infatuation along the edge of the precipice, sings drunkenly, as though hymn singing, as Dmitri Karamazov [in Dostoyevski's Brothers Karamazov] sang. The offended bourgeois laughs at the songs; the saint and the seer hear them with tears.
 French version of “cock-a-doodle-doo” (Infoplease Editors)
 “Datta, dayadhvam, damyata” (Give, sympathize, control). The fable of the meaning of the Thunder is found in the Brihadaranyaka-Upanishad, 5, 1. A translation is found in Deussen's Sechzig Upanishads des Veda, p. 489.
[The Hindu fable referred to is that of gods, men, and demons each in turn asking of their father Prajapati, “Speak to us, O Lord.” To each he replied with the one syllable “DA,” and each group interpreted it in a different way: “Datta,” to give alms; “Dayadhvam,” to have compassion; “Damyata,” to practice self-control. The fable concludes, “This is what the divine voice, the Thunder, repeats when he says: DA, DA, DA: ‘Control yourselves; give alms; be compassionate.’ Therefore one should practice these three things: self-control, alms-giving, and compassion.” (Infoplease Editors)]
 Cf. Webster, The White Devil, v. vi:
…they'll remarry Ere the worm pierce your winding-sheet, ere the spider Make a thin curtain for your epitaphs.
ed io sentii chiavar l'uscio di sotto all'orribile torre.
Also F. H. Bradley, Appearance and Reality, p. 346:
My external sensations are no less private to myself than are my thoughts or my feelings. In either case my experience falls within my own circle, a circle closed on the outside; and, with all its elements alike, every sphere is opaque to the others which surround it. … In brief, regarded as an existence which appears in a soul, the whole world for each is peculiar and private to that soul.
 V. Weston, From Ritual to Romance; chapter on the Fisher King.
“Ara vos prec per aquella valor que vos guida al som de l'escalina, sovegna vos a temps de ma dolor.” Poi s'ascose nel foco che gli affina.
 ceu→uti (Editor)
 When shall I be as the swallow? (Infoplease Editors)
V. Pervigilium Veneris. Cf. Philomela in Parts II and III.
 The Prince of Aquitaine to the ruined tower (Infoplease Editors)
V. Gerard de Nerval, Sonnet El Desdichado.
 V. Kyd's Spanish Tragedy.
 Shantih. Repeated as here, a formal ending to an Upanishad. 'The Peace which passeth understanding' is a feeble translation of the content of this word.