Leaves fall, Brown leaves, Yellow leaves streaked with brown. They fall, Flutter, Fall again. The brown leaves, And the streaked yellow leaves, Loosen on their branches And drift slowly downwards. One, One, two, three, One, two, five. All Venice is a falling of Autumn leaves — Brown, And yellow streaked with brown.
"That sonnet, Abate, Beautiful, I am quite exhausted by it. Your phrases turn about my heart And stifle me to swooning. Open the window, I beg. Lord! What a strumming of fiddles and mandolins! 'Tis really a shame to stop indoors. Call my maid, or I will make you lace me yourself. Fie, how hot it is, not a breath of air! See how straight the leaves are falling. Marianna, I will have the yellow satin caught up with silver fringe, It peeps out delightfully from under a mantle. Am I well painted to-day, `caro Abate mio'? You will be proud of me at the `Ridotto', hey? Proud of being `Cavalier Servente' to such a lady?" "Can you doubt it, `Bellissima Contessa'? A pinch more rouge on the right cheek, And Venus herself shines less . . ." "You bore me, Abate, I vow I must change you! A letter, Achmet? Run and look out of the window, Abate. I will read my letter in peace." The little black slave with the yellow satin turban Gazes at his mistress with strained eyes. His yellow turban and black skin Are gorgeous — barbaric. The yellow satin dress with its silver flashings Lies on a chair Beside a black mantle and a black mask. Yellow and black, Gorgeous — barbaric. The lady reads her letter, And the leaves drift slowly Past the long windows. "How silly you look, my dear Abate, With that great brown leaf in your wig. Pluck it off, I beg you, Or I shall die of laughing."
A yellow wall Aflare in the sunlight, Chequered with shadows, Shadows of vine leaves, Shadows of masks. Masks coming, printing themselves for an instant, Then passing on, More masks always replacing them. Masks with tricorns and rapiers sticking out behind Pursuing masks with plumes and high heels, The sunlight shining under their insteps. One, One, two, One, two, three, There is a thronging of shadows on the hot wall, Filigreed at the top with moving leaves. Yellow sunlight and black shadows, Yellow and black, Gorgeous — barbaric. Two masks stand together, And the shadow of a leaf falls through them, Marking the wall where they are not. From hat-tip to shoulder-tip, From elbow to sword-hilt, The leaf falls. The shadows mingle, Blur together, Slide along the wall and disappear. Gold of mosaics and candles, And night blackness lurking in the ceiling beams. Saint Mark's glitters with flames and reflections. A cloak brushes aside, And the yellow of satin Licks out over the coloured inlays of the pavement. Under the gold crucifixes There is a meeting of hands Reaching from black mantles. Sighing embraces, bold investigations, Hide in confessionals, Sheltered by the shuffling of feet. Gorgeous — barbaric In its mail of jewels and gold, Saint Mark's looks down at the swarm of black masks; And outside in the palace gardens brown leaves fall, Flutter, Fall. Brown, And yellow streaked with brown.
Blue-black, the sky over Venice, With a pricking of yellow stars. There is no moon, And the waves push darkly against the prow Of the gondola, Coming from Malamocco And streaming toward Venice. It is black under the gondola hood, But the yellow of a satin dress Glares out like the eye of a watching tiger. Yellow compassed about with darkness, Yellow and black, Gorgeous — barbaric. The boatman sings, It is Tasso that he sings; The lovers seek each other beneath their mantles, And the gondola drifts over the lagoon, aslant to the coming dawn. But at Malamocco in front, In Venice behind, Fall the leaves, Brown, And yellow streaked with brown. They fall, Flutter, Fall.