The modern circus, which originated in performances of equestrian feats in a horse ring strewn with sawdust, dates from the closing years of the 18th cent. The circus is traditionally a nomadic tent show, with trained animals, acrobats, and clowns. The main tent, known as the big top, is often surrounded by various concessions and sideshows with
freaks and wild animals. Even before 1830, traveling circuses were common in the United States and in England. After 1873 two rings were used in the main tent and the three-ring circus, as we know it today, was initiated by James A. Bailey. The most celebrated circus in America was
The Greatest Show on Earth of P. T. Barnum , which, in merging with Bailey's, became Barnum and Bailey's. On Bailey's death in 1907 the circus was purchased by Ringling Brothers , and in 1919 the two circuses were combined. Since 1969, Ringling Brothers has had two large circuses on tour that play mostly indoors and visit almost every major U.S. city annually.
The traveling circus, in its heyday from 1880 to 1920, declined in the 1950s and 60s. By the 1980s, however, more than 30 circuses were touring the United States and Canada. Outstanding among contemporary circuses are two small and sophisticated shows, the New York City–based Big Apple Circus and the Montreal-based Cirque du Soleil . The latter is the most elaborate and best known exponent of the form called cirque nouveau. A type of modern circus without animal acts, it is characterized by a mixture of traditional circus arts with poetic spectacle, music, and dance and is practiced by a number of European and Canadian troupes.
See studies by H. R. North and A. Hatch (1960) E. C. May (1932, repr. 1963) C. P. Fox and T. Parkinson (1970) M. Murray (1956, repr. 1973) G. Speight (1980) L. D. Hammarstrom, John Ringling North and the Circus (1992).
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.
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