Miller's masterpiece, Death of a Salesman (1949; Pulitzer Prize), is the story of a salesman betrayed by his own hollow values and those of American society. The Crucible (1953) is both a dynamic dramatization of the 17th-century Salem witch trials and a parable about the United States in the McCarthy era (see McCarthy, Joseph Raymond ); it has been his most frequently produced work. In A View from the Bridge (1955; Pulitzer Prize) Miller studies a Sicilian-American longshoreman whose unacknowledged lust for his niece destroys him and his family. Miller's tumultuous life with his second wife, Marilyn Monroe , to whom he was married from 1956 to 1961, is fictionalized in his After the Fall (1964), and a barely disguised version of the glamorous but troubled actress also appears in his last play, Finishing the Picture (2004).
Miller's other plays include The Man Who Had All the Luck (1940), All My Sons (1947), Incident at Vichy (1965), The Price (1968), The Creation of the World and Other Business (1972), The American Clock (1980), The Ride down Mount Morgan (1991), Broken Glass (1994), and Resurrection Blues (2002). He also wrote the screenplay for The Misfits (1961); The Hook (1950), an unfilmed screenplay, was produced on stage in 2015. His other works include the television dramas Playing for Time (1980) and Clara (1991); a novel, Focus (1945); and two books of short stories (1967, 2007). Miller's The Theater Essays (1971, rev. ed. 1996) is a collection of writings about the craft of playwriting and the nature of modern tragedy, and Echoes down the Corridor (2000) is a collection of essays, many of them autobiographical. He collaborated with his third wife, the photographer Inge Morath (1923–2002), on several books; their In Russia (1969) is a study of the Soviet Union.
See his autobiography, Timebends (1987); M. C. Roudane, Conversations with Arthur Miller (1987), S. Centola, Arthur Miller in Conversation (1993), M. Gussow, Conversations with Miller (2002); biographies by M. Gottfried (2003) and C. Bigsby (2008); J. Meyers, The Genius and the Goddess: Arthur Miller and Marilyn Monroe (2010); studies by B. Nelson (1970), R. Hayman (1972), J. J. Martine, ed. (1979), D. Welland (1979, repr. 1985), L. Moss (rev. ed. 1980), H. Bloom, ed. (1987), J. Schlueter and J. K. Flanagan (1987), N. Carson (1988), P. Singh (1990), S. R. Centola, ed. (1995), A. Griffin (1996), T. Otten (2002), C. Bigsby (2004), and E. Brater, ed. (2005).
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.
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