Vidal's historical fiction includes an interlocking septet of American novels—consisting of Washington, D.C. (1967), Burr (1973), 1876 (1976), Lincoln (1984), Empire (1987), Hollywood (1990), and The Golden Age (2000)—as well as Julian (1964), Creation (1982), Live from Golgotha (1992), and The Smithsonian Institution (1998). In all, he wrote some 25 novels. Among his plays are Visit to a Small Planet (1955) and The Best Man (1960, film 1974), a drama concerning a presidential election that mirrored his political interests—he ran unsuccessfully for the House (1960) and the Senate (1982). He also wrote screenplays and television dramas. Vidal's sharply argued, stylish, and often controversial essays, which some critics consider his finest works, are collected in several volumes, including Reflections on a Sinking Ship (1969), The Second American Revolution (1982), Armageddon (1987), Screening History (1992), United States: Essays 1952–1992 (1993), and The Last Empire: Essays 1992–2000 (2001). He also wrote murder mysteries under the name Edgar Box.
See R. J. Stanton and G. Vidal, ed., Views from a Window: Conversations with Gore Vidal (1980) and R. Peabody and L. Ebersole, ed., Conversations with Gore Vidal (2005); his memoirs, Palimpsest (1995) and Point to Point Navigation (2006); biographies by F. Kaplan (1999) and J. Parini (2015); studies by B. F. Dick (1974), R. F. Kiernan (1982), J. Parini, ed. (1992), S. Baker and C. S. Gibson (1997), and S. Harris (2005); N. Wrathall, dir., Gore Vidal: United States of Amnesia (documentary, 2014).
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