The discipline came into its own in the 1960s and early 70s when inexpensive tape recorders were available to document such social movements as civil rights, feminism, and anti–Vietnam War protest. Authors such as Studs Terkel, Alex Haley, and Oscar Lewis employed oral history in their books, many of which are largely based on interviews. In another important example of the genre, a massive archive covering the oral history of American music was compiled at the Yale School of Music. Oral history had become a respected discipline in many colleges and universities by the end of the 20th cent., when the Italian historian Alessandro Portelli and his associates began to study the role that memory itself, whether accurate or faulty, plays in the themes and structures of oral history. Their published work has since become standard material in the field, and many oral historians now include in their research the study of the subjective memory of the persons they interview.
See S. Caunce, Oral History (1994); V. R. Yow, Recording Oral History (1994), R. Perks and A. Thomson, The Oral History Reader (repr. 1998).
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.
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