jazz: Jazz Goes International
Jazz Goes International
Jazz has always been a distinctively American idiom, with Europeans largely forming an appreciative audience and Europe's jazzmen following trends begun in the United States. At the end of the 20th cent., however, many Scandinavian and French musicians, feeling that mainstream American jazz expression had retreated into the past, began creating a new genre nicknamed “the European.” Returning to jazz's roots as dance music, they combined elements from European house, techno, drum and bass, and jungle music with acoustic, electronic, and sampled sound to create a more popular and populist variety of jazz. Musicians involved in this movement include Norwegian pianist Bugge Wesseltoft and trumpeter Nils Petter Molvaer, French pianists Martial Solal and Laurent de Wilde, French saxophonist Julien Lourau and flutist Malik Mezzadri, Sweden's Esbjorn Svensson Trio, and France's Ludovic Navarre and St. Germain groups.
Sections in this article:
- Jazz Since the 1990s
- Jazz Goes International
- The 1970-'80s: From Smooth Jazz to the Neo-Cons
- The 1960s: From Free Jazz to Jazz-Rock Fusion
- Jazz in the '50s
- New Orleans Jazz
- Origins of Jazz
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