Apu Trilogyremain his best known works.
Ray's recurrent themes—the life of Bengal's various social classes, the conflict of old and new values, and the effects of India's rapidly changing economic and political conditions—are evident throughout his oeuvre. His more than 30 films include The Music Room (1958), Charulata (1964), The Target (1972), Distant Thunder (1973), The Home and the World (1984), The Visitor (1991), and The Stranger (1992). Over the years, he received many prizes, including an Academy Award for lifetime achievement (1992). Ray was also a screenwriter, wrote the musical scores for many of his films, and was intimately involved with all the elements of their production.
See his essays, Our Films, Their Films (1995) M. Seton, Portrait of a Director: Satyajit Ray (1971) S. Benegal, Benegal on Ray (1988) B. Nyce, Satyajit Ray: A Study of His Films (1988) A. Robinson, Satyajit Ray: The Inner Eye (1989) B. Sarkar, The World of Satyajit Ray (1992) and N. Ghosh, Satyajit Ray at 70 (1993).
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.
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