Renoir worked in Hollywood during World War II, but never fully adapted to studio filmmaking. His postwar French films play on the slippery relationship between film and theater. His films include The Crime of M. Lange (1935), A Day in the Country (1936), The Human Beast (1938), The Rules of the Game (1939), The Southerner (1944), Diary of a Chambermaid (1945), The River (1951), and Picnic on the Grass (1959). Renoir wrote the biography Renoir, My Father (tr. 1962) and a novel, The Notebooks of Captain Georges (tr. 1966).
See his autobiography, My Life and My Films (1974, repr. 1991); biographies by C. Bertin (1986) and R. Bergan (1994); study by A. Bazin (tr. 1973); C. Faulkner, The Social Cinema of Jean Renoir (1986).
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