opera: The Romantic Movement in Germany
The Romantic Movement in Germany
Hero worship, a return to nature, idealism, and fantasy are elements of late 18th-century romanticism that found their way into 19th-century German opera. Ludwig van Beethoven's only opera,
Wagner's early operas, such as
The set pieces of the Italian school were put aside in favor of leitmotifs (leading motifs) that were used to identify individual characters and situations and present a continuous flow of music, at times almost symphonic in nature, which was uninterrupted by recitative. The culmination of this technique was
Sections in this article:
- Introduction
- Twentieth-Century Opera
- Russian Opera
- Verdi and the Late Nineteenth Century in Italy
- Early-Nineteenth-Century Italian Opera
- The Development of French Grand Opera and Opéra Comique
- The Romantic Movement in Germany
- German and Austrian Opera in the Eighteenth Century
- The Development of English Opera
- Italian Opera of the Seventeenth and Eighteenth Centuries
- Early French Opera
- The Baroque in Rome and Venice
- Florentine Beginnings
- Characteristics
- Bibliography
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