Chinese literature: Vernacular Style

Vernacular Style

While the literati were cultivating polite literature during the T'ang and Sung periods, prose and verse of a popular nature began to appear. It was written in the spoken vernacular rather than in the classical literary language, and scholars regarded it with scorn. Springing from story cycles made familiar by professional storytellers, this vernacular literature first emerged as a full-fledged art in the drama of the Yüan dynasty (1260–1368).

The vernacular style later developed into the great novels of the Ming period that followed. Both the drama and the novel proved immensely popular. Thus the 13th cent. witnessed the emergence of the resources of the living language of the people. The vernacular novels, although they had their roots in the Yüan epoch, took shape gradually during the Ming era until they were finally given their finished form, perhaps anonymously by some talented traditional scholar.

An early and outstanding example of the novel is the San Kuo Chih Yen I (tr. San Kuo or Romance of the Three Kingdoms, 1925); it is set in the Three Kingdoms period (220–265) and recounts heroic deeds and chivalrous exploits. Another historical romance is the Shui Hu Chuan (tr. All Men Are Brothers, 1937), a picaresque tale of men forced by the venality of officials to become bandits. The Hsi Yu Chi (tr. Monkey, 1943) is an allegorical tale, full of the supernatural, concerning the adventures of a Buddhist pilgrim on a journey to India.

The Chin P'ing Mei (tr. The Golden Lotus, 1939) by contrast portrays domestic life and amorous intrigue; it is marked by realistic incident and the interplay of human relationships. The greatest Chinese novel is considered to be Hung Lou Meng (tr. Dream of the Red Chamber, 1958), an 18th-century work chiefly from the hand of Ts'ao Hsüeh-ch'in. With an unrivaled gift for subtle characterization and plot construction, the author recounts the declining fortunes of an aristocratic family.

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