Furtwängler remained in Germany during World War II and, while he was never a Nazi, his failure to break with the regime led to considerable criticism. After the war he was absolved of a charge of having collaborated with the Nazis. He continued to conduct in Vienna, revived (1951) the Bayreuth Festival, and retained the position of conductor of the Berlin Philharmonic until his death. He was succeeded in Berlin by Herbert von Karajan. Furtwängler was particularly renowned for his interpretations of the music of Beethoven, Brahms, Bruckner, Wagner, and Schumann. He was also a composer, following in the German romantic tradition.
See M. Tanner, ed., Notebooks 1924–1954 by Wilhelm Furtwängler (tr. 1989); biography by C. Riess (tr. 1955); P. Pirie, Furtwängler and the Art of Conducting (1980) and J. Hunt, The Furtwängler Sound (1985).
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.
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