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Farnese, Alessandro
(Encyclopedia)Farnese, Alessandro färnāˈzā [key], 1545–92, duke of Parma and Piacenza (1586–92), general and diplomat in the service of Philip II of Spain. He was the son of Duke Ottavio Farnese and Margar...Vittoria, Alessandro
(Encyclopedia)Vittoria, Alessandro älās-sänˈdrō vēt-tôˈrēä [key], 1525–1608, Italian sculptor. A leader of the Venetian Renaissance and a student of Sansovino, Vittoria was influenced by the mannerism o...Stradella, Alessandro
(Encyclopedia)Stradella, Alessandro älĕs-sänˈdrō strädĕlˈlä [key], 1642?–1682, Italian composer of operas, cantatas, oratorios, and instrumental music. Few facts but many legends exist concerning his lif...Tassoni, Alessandro
(Encyclopedia)Tassoni, Alessandro älĕs-sänˈdrō täs-sôˈnē [key], 1565–1635, Italian poet. He spent much of his life in the service of Charles Emmanuel I of Savoy and Francesco I of Modena. His sharp lette...Medici, Alessandro de'
(Encyclopedia)Medici, Alessandro de' mĕˈdĭchē, Ital. māˈdēchē [key], 1510?–37, duke of Florence (1532–37); probably an illegitimate son of Lorenzo de' Medici, duke of Urbino. His prominence began when ...Volta, Alessandro, Conte
(Encyclopedia)Volta, Alessandro, Conte älĕs-sänˈdrō kônˈtā vôlˈtä [key], 1745–1827, Italian physicist. He was professor of physics at the Univ. of Pavia from 1779 and became famous for his work in elec...cantata
(Encyclopedia)cantata kəntäˈtə [key] [Ital.,=sung], composite musical form similar to a short unacted opera or brief oratorio, developed in Italy in the baroque period. The term was first used in 1620 to refer ...Filipepi, Alessandro di Mariano
(Encyclopedia)Filipepi, Alessandro di Mariano: see Botticelli, Sandro. ...Cagliostro, Alessandro, Conte di
(Encyclopedia)Cagliostro, Alessandro, Conte di älĕs-sänˈdrō kōnˈtā dē kälyōˈstrō [key], 1743–95, Italian adventurer, magician, and alchemist, whose real name was Giuseppe Balsamo. After early misadve...oratorio
(Encyclopedia)oratorio ôrətôrˈēō [key], musical composition employing chorus, orchestra, and soloists and usually, but not necessarily, a setting of a sacred libretto without stage action or scenery. The imme...Browse by Subject
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